{"id":9325,"date":"2024-10-23T19:24:59","date_gmt":"2024-10-24T00:24:59","guid":{"rendered":"https:\/\/mkultramagazine.com\/?p=9325"},"modified":"2024-10-23T19:25:01","modified_gmt":"2024-10-24T00:25:01","slug":"la-psychrock-outfit-tombstones-in-their-eyes-reveals-trippy-video-for-i-like-to-feel-good","status":"publish","type":"post","link":"https:\/\/mkultramagazine.com\/?p=9325","title":{"rendered":"LA psychrock outfit Tombstones In Their Eyes reveals trippy video for &#8216;I Like To Feel Good&#8217;"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"425\" height=\"425\" src=\"https:\/\/mkultramagazine.com\/wp-content\/uploads\/2024\/10\/LIKE-TO.jpg\" alt=\"\" class=\"wp-image-9326\" style=\"width:427px;height:auto\" srcset=\"https:\/\/mkultramagazine.com\/wp-content\/uploads\/2024\/10\/LIKE-TO.jpg 425w, https:\/\/mkultramagazine.com\/wp-content\/uploads\/2024\/10\/LIKE-TO-300x300.jpg 300w, https:\/\/mkultramagazine.com\/wp-content\/uploads\/2024\/10\/LIKE-TO-150x150.jpg 150w\" sizes=\"(max-width: 425px) 100vw, 425px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\"><em>&#8220;There\u2019s a satisfying heaviness that\u2019s particularly alluring&#8221;<\/em>&nbsp; ~&nbsp;<strong>FLOOD Magazine<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>&#8220;A captivating blend of thoughtful introspection and expansive soundscapes&#8230; One of the coolest bands to have emerged on the American psychedelic rock scene in the past decade, they rise to the bar of such bands as BJM&#8221;<\/em>&nbsp;~&nbsp;<strong>XS Noize<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>&#8220;Mesmerizingly brooding and fuzzed-out \u2018n\u2019 fiery&#8221;<\/em>&nbsp;~&nbsp;<strong>The Big Takeover<\/strong><br><br><em>&#8220;The band creates a psychedelic opus from one track to the next, year after year and this alone is no easy feat&#8221;<\/em>&nbsp;~&nbsp;<strong>Ghettoblaster Magazine<br><br><\/strong><em>&#8220;A booming beast of fuzz-laden, psychedelic thunder, &#8216;Asylum Harbour&#8217; offers refuge when the world\u2019s going to hell. The album dives deep into rising up, shaking off the dust, and staring down the storm clouds that lingered after the pandemic. It\u2019s a mood, a mindset, a map for navigating the mess we\u2019ve all crawled out of&#8221; ~<\/em><strong>&nbsp;Post-Punk.com<\/strong><br><br><em>&#8220;Tune in, zone out and enjoy the ride&#8221;&nbsp;<\/em>~&nbsp;<strong>Loudwire<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"nv-iframe-embed\"><iframe title=\"Tombstones In Their Eyes - I LIke To Feel Good\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/6lA_dD-CLYo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">American psych-gaze outfit&nbsp;<a href=\"https:\/\/www.facebook.com\/TombstonesInTheirEyes\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Tombstones In Their Eyes<\/strong>&nbsp;<\/a>present the visuals for their new single<a href=\"https:\/\/youtu.be\/6lA_dD-CLYo\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;<strong>&#8216;I Like to Feel Good&#8217;<\/strong><\/a>. The video itself, oscillating between electrified stage performances and scenes from a chilled drive through LA, seemingly reflects the transformation inherent in this song&#8217;s lyrics, expressing how one&#8217;s inner strength and individuality can be a catalyst for positive change.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Espousing a heavier sound than the two earlier-released singles from this album &#8211;<strong>&nbsp;<\/strong><a href=\"https:\/\/tombstonesintheireyes.bandcamp.com\/track\/sweet-as-pie\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>&#8216;Sweet as Pie&#8217;<\/strong>&nbsp;<\/a>and<a href=\"https:\/\/youtu.be\/KZz7Tx9s-rw\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>&nbsp;&#8216;I&#8217;m Not Like That&#8217;<\/strong><\/a>&nbsp;&#8211; &#8216;I Like To Feel Good foreshadows the band&#8217;s<a href=\"https:\/\/tombstonesintheireyes.bandcamp.com\/album\/asylum-harbour\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;<strong>&#8216;Asylum Harbour&#8217; album<\/strong><\/a>, out on November 19 via&nbsp;<a href=\"https:\/\/kittenrobot.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kitten Robot Records<\/strong><\/a>, which sees TITE mainman pull past the pain, numbness and chaos reflected on their previous album&nbsp;<a href=\"https:\/\/tombstonesintheireyes.bandcamp.com\/album\/sea-of-sorrow-2\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>&#8216;Sea of Sorrow&#8217;<\/strong><\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Based in Los Angeles, Tombstones In Their Eyes is made up of long-time members&nbsp;<strong>John Treanor<\/strong>&nbsp;(vocals &amp; guitar),&nbsp;<strong>Stephen Striegel&nbsp;<\/strong>(drums),&nbsp;<strong>Courtney Davies&nbsp;<\/strong>(vocals) ,&nbsp;<strong>Phil Cobb<\/strong>&nbsp;(guitar) and&nbsp;<strong>Paul Boutin<\/strong>&nbsp;(guitar), along with new band members&nbsp;<strong>Joel Wasko&nbsp;<\/strong>(bass) and&nbsp;<strong>Clea Cullen<\/strong>&nbsp;(vocals).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;&#8216;I Like to Feel Good&#8217; has probably my favorite verse of any song that I\u2019ve written. It\u2019s the second long verse and it was written in a stream of consciousness fashion. &nbsp;I don\u2019t believe that I changed any of the words that came out in that first pass. And it really hit home. It summed up my existence, thinking that my sensitivity was a burden and a malady, only to find that it is a gift that I can use to make life better,&#8221; says&nbsp;<strong>John Treanor<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;Beyond that verse, it also has a really cool wah part leading from the main verse to the last chorus. The part only lasts thirty seconds or less but it came out so good. And I love the overall vibe and sound of the song, it sounds super fuzzy and driving (in the verses especially).&#8221;<br><br>Recorded at&nbsp;<a href=\"https:\/\/kittenrobot.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kitten Robot Studios<\/strong>&nbsp;<\/a>in Los Angeles and &nbsp;co-produced by John Treanor, this album was produced and engineered by&nbsp;<a href=\"https:\/\/kittenrobot.com\/artist\/paul-roessler\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Paul Roessler&nbsp;<\/strong><\/a><strong>(45 Grave, Twisted Roots, The Screamers, Nina Hagen<\/strong>), also known for his work with&nbsp;<strong>Jo<\/strong><strong>sie Cotton, Hayley and the Crushers<\/strong>&nbsp;and&nbsp;<strong>Gitane Demone<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Tombstones In Their Eyes began a decade ago as a demo-swapping exercise between two childhood friends separated by geography (John Treanor in LA and James Cooper in NYC), but soon blossomed into a full-fledged band and a healthy stream of&nbsp;expansive music that is laced with fuzzed out psychedelic majesty.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For John, writing and performing has always been a way to deal with anxiety and depression, to speak about a subject without being the centre of the conversation, and to express oneself in a subliminal way rather than directly. This music&nbsp;looks out into the universe as much as it looks inward toward the soul.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Named after a maritime phrase for a safe place to wait out a storm,&nbsp;&#8216;Asylum Harbour&#8217; is an album of resurfacing, reflecting a new phase of healing after re-emerging from the pandemic. Treanor shares, &#8220;The album has been ready for some time, so it\u2019s a relief to get it out&#8230;. Now we get to go out and play the songs from the new record live.&#8221;&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">&#8216;I Like to Feel Good&#8217; is out now, available&nbsp;everywhere online, including&nbsp;<strong><a href=\"https:\/\/open.spotify.com\/artist\/15nZziu6BOdIcHkcZdLQk5\" target=\"_blank\" rel=\"noreferrer noopener\">Spotify<\/a><\/strong>,<strong>&nbsp;<a href=\"https:\/\/music.apple.com\/us\/artist\/tombstones-in-their-eyes\/804139781\" target=\"_blank\" rel=\"noreferrer noopener\">Apple Music<\/a><\/strong><strong>&nbsp;<\/strong>and<strong>&nbsp;<a href=\"https:\/\/tombstonesintheireyes.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp<\/a><\/strong>. The full &#8216;Asylum Harbour&#8217; album, available November 18 on snazzy red vinyl, CD and digitally, can be pre-ordered directly from<strong>&nbsp;<\/strong><a href=\"https:\/\/kittenrobot.com\/product\/tite-asylum-harbour\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>Kitten Robot Records<\/strong><\/a>&nbsp;or via<strong>&nbsp;<\/strong><strong><a href=\"https:\/\/tombstonesintheireyes.bandcamp.com\/album\/asylum-harbour\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp<\/a><\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>TRACK LIST &nbsp;<\/strong><br>01. In Your Eyes<br>02. Sweet As Pie<br>03. Mirror<br>04. I Like to Feel Good<br>05. I&#8217;m Not Like That<br>06. Gimme Some Pain<br>07. By My Side<br>08. The Sky Is Blue<br>09. Set Me Free<br>10. I Am Cold<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>CREDITS<\/strong><br>John Treanor &#8211; vocals &amp; guitar<br>Paul Boutin &#8211; guitar &amp; backing vocals<br>Phil Cobb &#8211; guitar<br>Stephen Striegel &#8211; drums &amp; percussion<br>Nic Nifoussi &#8211; bass<br>Courtney Davies &#8211; harmony &amp; backing vocals<br>Paul Roessler &#8211; keyboards, harmony &amp; backing vocals<br>David Murphy &#8211; Pedal Steel guitar on &#8216;I&#8217;m Not Like That&#8217;<br>Recorded at Kitten Robot Studios in Los Angeles, CA<br>Produced and Engineered by Paul Roessler<br>Co-produced by John Treanor<br>Mastered by Alex DeYoung at DeYoung Masters<br>Digital album UPC 198595938096<br>CD catalog #KR20241-CD &nbsp;(UPC 706091205507)<br>Vinyl album catalog #KR20241-LP (UPC 706091205514)<br><br><strong>VIDEO CREDITS<\/strong><br>John Treanor &#8211; Director<br>Joel Wasko &#8211; Producer<br>Jon Beanland &#8211; Director of Photography &amp; Colorist (for Last Bookmobile Productions)<br>Jessica Baclesse &#8211; Editor (for Last Bookmobile Productions)<br>Amy Hu &#8211; Hair and Makeup<br>David Hannah &#8211; PA<\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Keep up with Tombstones In Their Eyes<\/strong><br><a href=\"https:\/\/www.tombstonesintheireyes.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Website<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/tombstonesintheireyes.bandcamp.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Bandcamp<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/www.facebook.com\/TombstonesInTheirEyes\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/www.instagram.com\/tombstonesintheireyes\" target=\"_blank\" rel=\"noreferrer noopener\">Instagram<\/a>&nbsp;|&nbsp;<a href=\"http:\/\/twitter.com\/tombsinthreyes\" target=\"_blank\" rel=\"noreferrer noopener\">Twitter<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/www.youtube.com\/channel\/UCzU9R4E3wcXBkfK__2Z6mGw\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/soundcloud.com\/tombstonesintheireyes\" target=\"_blank\" rel=\"noreferrer noopener\">Soundcloud<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/open.spotify.com\/artist\/15nZziu6BOdIcHkcZdLQk5\" target=\"_blank\" rel=\"noreferrer noopener\">Spotify<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/music.apple.com\/us\/artist\/tombstones-in-their-eyes\/804139781\" target=\"_blank\" rel=\"noreferrer noopener\">Apple Music<\/a>&nbsp;|&nbsp;<a href=\"mailto:contact@shamelesspromotionpr.com\">Press contact<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Keep up with Kitten Robot Records<\/strong><br><a href=\"https:\/\/kittenrobot.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">Website<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/www.facebook.com\/kittenrobotrecords\" target=\"_blank\" rel=\"noreferrer noopener\">Facebook<\/a>&nbsp;|<a href=\"https:\/\/www.instagram.com\/kittenrobotrecords\" target=\"_blank\" rel=\"noreferrer noopener\">&nbsp;Instagram<\/a>&nbsp;|&nbsp;<a href=\"http:\/\/twitter.com\/KittenRobotRec\" target=\"_blank\" rel=\"noreferrer noopener\">Twitter<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/www.youtube.com\/channel\/UCPgCq_P0e-xj84tFAiTXI3A\" target=\"_blank\" rel=\"noreferrer noopener\">YouTube<\/a>&nbsp;|&nbsp;<a href=\"https:\/\/www.tiktok.com\/@kittenrobotrecords\" target=\"_blank\" rel=\"noreferrer noopener\">TikTok<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;There\u2019s a satisfying heaviness that\u2019s particularly alluring&#8221;&nbsp; ~&nbsp;FLOOD Magazine &#8220;A captivating blend of thoughtful introspection and expansive soundscapes&#8230; One of the coolest bands to have emerged on the American psychedelic rock scene in the past decade, they rise to the bar of such bands as BJM&#8221;&nbsp;~&nbsp;XS Noize &#8220;Mesmerizingly brooding and fuzzed-out \u2018n\u2019 fiery&#8221;&nbsp;~&nbsp;The Big Takeover&hellip;&nbsp;<a href=\"https:\/\/mkultramagazine.com\/?p=9325\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">LA psychrock outfit Tombstones In Their Eyes reveals trippy video for &#8216;I Like To Feel Good&#8217;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":9326,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","ngg_post_thumbnail":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-9325","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9325"}],"version-history":[{"count":1,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9325\/revisions"}],"predecessor-version":[{"id":9327,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/9325\/revisions\/9327"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/media\/9326"}],"wp:attachment":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9325"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9325"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}