{"id":8784,"date":"2024-08-26T19:05:43","date_gmt":"2024-08-27T00:05:43","guid":{"rendered":"https:\/\/mkultramagazine.com\/?p=8784"},"modified":"2024-08-26T19:05:45","modified_gmt":"2024-08-27T00:05:45","slug":"nyc-power-outfit-the-giraffes-presents-furious-eco-crisis-anthem-pipes","status":"publish","type":"post","link":"https:\/\/mkultramagazine.com\/?p=8784","title":{"rendered":"NYC power outfit THE GIRAFFES presents furious eco-crisis anthem ‘Pipes’"},"content":{"rendered":"\n
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“Undeniably captivating. There\u2019s a certain charm to their music with instrumentation and vocals that are absolutely assured and insanely fucking groovy. Offering a very cool melody, time-shifting and dramatism that builds in intensity, ‘The Shot’ is a superb and infectious single”<\/em> ~ Amplify Music Magazine<\/strong><\/p>\n\n\n\n

“A band that effortlessly blends raw energy with complex musicianship. A thrilling return to form… A full-throttle angst-filled yet logical assault on the senses… Fans of the Jesus Lizard, Queens of the Stone Age and Fu Manchu will find their sonic sweet spot in their wild, edgy sound”<\/em> ~ The Spill Magazine<\/strong><\/p>\n\n\n

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Brooklyn alternative rock outfit The Giraffes<\/strong><\/a> presents ‘Pipes’<\/strong><\/a>,<\/strong>  a furious, psychedelic protest anthem born from the fear of widespread environmental neglect. This is the second taste of their eighth album ‘Cigarette’<\/strong><\/a> – a hypnotic, psychedelic ethnic-tinged rock score for our current age of decay and disappointment, fear and fury, idiocy and hope. <\/p>\n\n\n\n

This comes hot on the heels of lead track ‘The Shot’<\/strong><\/a>,<\/strong> a hypnotic rock-meets-psychedelic-surf earworm that shimmers between shadowy depths and sunlit crescendos. Known for their trademark menu of metal-tinged scuzz-rock, The Giraffes offer a tasteful mixture of heavy rock, punk, post-punk, surf and whatever else they find interesting. <\/p>\n\n\n\n

Formed in 1996, they’ve been crafting a hedonistic soundtrack that is loud, agile, dangerous, funny, sick, complex and satisfying. With lead singer Aaron Lazar<\/strong><\/a>and guitar maestro Damien Paris<\/strong> as its core, drummer Andrew Totolos<\/strong><\/a> provides the locomotive rhythm section with Hannah Moorhead<\/strong> anchoring the bass. This year marks the beginning of a new era for the band, with Moorhead now also contributing backing vocals and songwriting. With the line-up no longer in flux, the focus is now largely on songwriting.  <\/p>\n\n\n\n

\u201cWritten in response to the Flint water crisis as I suspected it was going to become a more commonplace thing everywhere. Hate to say I was right. I grew up in a place much like flint -Youngstown OH, a former steel boomtown in the rust belt that is slowly crumbling due to population loss and divestment by the government. The feeling of invisibility that hits you when you realize you depend on an infrastructure that hasn’t been maintained or thought about in a few generations and that now everyone you know may be poisoned by a few peoples contempt and negligence is something else,” says Aaron Lazar<\/strong>.<\/p>\n\n\n\n

\u201cI tried to make a song about that feeling. The bass part was invented by Hannah and it has this bubbling rushing tumbling quality to it that suggests a torrent of bad news. The middle section has a psychedelic vocal tumult that is some of my favorite stuff I have done in the giraffes. Though depressing and bleak, it’s still a rager. Lets all get into the pit for health and cleanliness.\u201d  <\/p>\n\n\n\n

‘Cigarette’ is an album full of surprises, taking new risks with subject matter and composition while maintaining the intensity and dexterity fans know and love. Recorded & engineered by Andrew Totolos at Apesauce Studio<\/a><\/strong>, this was mixed by Grammy nominated producer Francisco Botero<\/strong><\/a>(Matisyahu, Odesza) <\/strong>at the iconic Studio G Brooklyn<\/strong><\/a> and by James Dellatacoma<\/strong><\/a>(Bill Laswell, <\/strong>Herbie Hancock, TS Monk, John Zorn, Angelique Kidjo) <\/strong>at Bill Laswell<\/strong><\/a>‘s famed Orange Music Sound Studio<\/strong>.<\/p>\n\n\n\n

Four years since forming and two years since debuting with their 1998 album ‘Franksquilt’<\/strong><\/a>, The Giraffes finally found its true form as a band in 2000 when joined by vocalist Aaron Lazar<\/strong>. Upon releasing <\/strong>‘Helping You Help Yourself’<\/strong><\/a>, their first album with Lazar in 2002, the band would stake its claim as the most unbridled and fun-loving Brooklyn live act. Indeed, with fierce musicality and peak audience participation, The Giraffes earned themselves a dedicated fan base. <\/p>\n\n\n\n

From 2002, the band toured nationally and released four studio albums in succession, signing with various labels along the way. Their spaghetti western EP ‘A Gentleman Never Tells’ <\/strong><\/a>(2003) was followed by‘The Giraffes’ <\/strong><\/a>album (2005), the ‘Pretty In Puke’ EP<\/strong> and the‘Prime Motivator’<\/strong><\/a>album (2008). Their epic 2010 concept album ‘Ruled’<\/a> <\/strong>proved to be Lazar’s swan song before leaving the band in 2011. While his departure seemed to mark the end of an era, the embers of their explosive sound would later reignite, proving that this was not the band’s final act.<\/p>\n\n\n\n

2014 brought sold-out reunion concerts with Lazar back at the helm, reuniting fans from far and wide. Bolstered by their support, the Giraffes began developing new material, resulting in their sixth album‘Usury’<\/strong><\/a>, released to critical acclaim in 2015.  Finally, 2019 brought a new lineup with the addition of bassist Hannah Moorhead (Netherlands, Twenty Two\u2019s)<\/strong> and new impetus with the release of the<\/a>‘Flower of the Cosmos’<\/strong><\/a>album and remixes by Swervedriver’s Adam Franklin<\/strong> and notable hip-hop record producer Blockhead<\/strong>.<\/p>\n\n\n\n

Over the years, The Giraffes have toured with Eagles of Death Metal, Local-H, The Vacation<\/strong> and Skeleton Key<\/strong>, and shared the stage with Interpol, Fishbone, Yeah Yeah Yeah’s and The Strokes<\/strong>. They’ve played SXSW, Bonnaroo, Amsterjam, Voodofest, Monolith, Northside and CMJ Festivals, and landed sync licensing placements in the ‘Guitar Hero’<\/strong> video game, Sundance Festival winning film ‘I Don’t Feel at Home in This World Anymore’<\/strong>, and the forthcoming ‘Toxic Avenger’<\/strong> remake.<\/p>\n\n\n\n

As of August 27, The ‘Pipes’ single will be available everywhere, including Spotify<\/strong><\/a>,Apple Music<\/strong><\/a> <\/strong>and Bandcamp<\/strong><\/a>, where the ‘Cigarette’ album (out September 27) is now available for pre-order.<\/p>\n\n\n\n

Keep up with The Giraffes<\/strong>
Website<\/a>\u00a0|\u00a0Bandcamp<\/a>\u00a0|\u00a0Facebook<\/a>\u00a0|\u00a0Instagram<\/a>\u00a0|\u00a0Twitter<\/a>\u00a0|\u00a0TikTok<\/a>\u00a0|\u00a0YouTube<\/a>\u00a0|\u00a0Spotify<\/a>\u00a0|\u00a0Apple Music<\/a>\u00a0|\u00a0Press contact<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

“Undeniably captivating. There\u2019s a certain charm to their music with instrumentation and vocals that are absolutely assured and insanely fucking groovy. Offering a very cool melody, time-shifting and dramatism that builds in intensity, ‘The Shot’ is a superb and infectious single” ~ Amplify Music Magazine “A band that effortlessly blends raw energy with complex musicianship. A thrilling… Read More »NYC power outfit THE GIRAFFES presents furious eco-crisis anthem ‘Pipes’<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":8785,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","ngg_post_thumbnail":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-8784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"_links":{"self":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/8784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8784"}],"version-history":[{"count":1,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/8784\/revisions"}],"predecessor-version":[{"id":8787,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/8784\/revisions\/8787"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/media\/8785"}],"wp:attachment":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}