{"id":11277,"date":"2025-03-06T13:44:14","date_gmt":"2025-03-06T18:44:14","guid":{"rendered":"https:\/\/mkultramagazine.com\/?p=11277"},"modified":"2025-03-06T20:56:21","modified_gmt":"2025-03-07T01:56:21","slug":"rohn-lederman-on-the-edge","status":"publish","type":"post","link":"https:\/\/mkultramagazine.com\/?p=11277","title":{"rendered":"Interview: &#8216;Rohn Lederman&#8217; On The Edge"},"content":{"rendered":"<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/mkultramagazine.com\/wp-content\/uploads\/2025\/03\/IMAGE-1024x768.jpg\" alt=\"\" class=\"wp-image-11278\" style=\"width:588px;height:auto\" srcset=\"https:\/\/mkultramagazine.com\/wp-content\/uploads\/2025\/03\/IMAGE-1024x768.jpg 1024w, https:\/\/mkultramagazine.com\/wp-content\/uploads\/2025\/03\/IMAGE-300x225.jpg 300w, https:\/\/mkultramagazine.com\/wp-content\/uploads\/2025\/03\/IMAGE-768x576.jpg 768w, https:\/\/mkultramagazine.com\/wp-content\/uploads\/2025\/03\/IMAGE-1536x1152.jpg 1536w, https:\/\/mkultramagazine.com\/wp-content\/uploads\/2025\/03\/IMAGE.jpg 1600w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n\n\n<p><em>Jean-Marc Lederman and Emileigh Rohn joined DJ Zuul on March 2nd to discuss collaboration, modular synths, experimentation and making music only to please yourself in the context of Forbidden Planet, Rohn Lederman\u2019s new album out on March 4th 2025.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed aligncenter is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"c89.5 On The Edge - Rohn-Lederman - 3\/2\/25 by C895radio\" width=\"1200\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F2045666948&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=1200\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<p>DJ Zuul, On The Edge:<\/p>\n\n\n\n<p><br>That was \u201cPolicy of Truth\u201d from Rohn Lederman. Sitting down with us tonight is the one and onlyor the two and only Rohn Lederman. Thank you very much for joining us.<\/p>\n\n\n\n<p><br>Emileigh Rohn, Rohn Lederman:<br>Thank you for having us.<\/p>\n\n\n\n<p><br>OTE:<br>This is not the first rodeo here for either one of you, correct? If I&#8217;m not mistaken, Emily, it\u2019s been<br>20 years since your debut album came out. Is that about right?<\/p>\n\n\n\n<p><br>Emileigh:<br>Yeah, the first one was released, yeah on a label in 2001, so.<\/p>\n\n\n\n<p><br>OTE:<br>2001, so we&#8217;re rolling up on it. And Jean-Marc I would like you to tell me about \u201cJimmy Joe<br>Snark the Third.\u201d<\/p>\n\n\n\n<p><br>Jean-Marc Lederman, Rohn Lederman:<br>Well, I\u2019m an ancient. I taught Keith Richards how to play Guitar <\/p>\n\n\n\n<p><br>OTE:<br>Excellent. And a fine job you did, I must say!<\/p>\n\n\n\n<p><br>JM:<br>that gives you &#8211; well,the name \u201cJimmy Joe Snark\u201d comes from the days of the Weathermen,<br>which was a band I had in the 80s. It was a surname given to me by Bruce Geduldig, the singer<br>of the band.<\/p>\n\n\n\n<p>OTE:<br>And I understand that the Weathermen started as a joke and then ended up on Play It Again<br>Sam.<\/p>\n\n\n\n<p><br>JM:<br>Yeah, yeah, absolutely. We just did it because we wanted to make something funny out of EBM<br>because we thought everybody was so serious, you know.<\/p>\n\n\n\n<p><br>OTE:<br>And they still are, man! It&#8217;s almost amazing how no one has been able to let go of this in forever.<br>So we\u2019ve got a new album coming out on the third? On the fourth. We&#8217;ve got a new album<br>coming out Tuesday if I&#8217;m not mistaken.<\/p>\n\n\n\n<p><br>Emileigh:<br>That&#8217;s correct. Yeah, the fourth.<\/p>\n\n\n\n<p><br>OTE:<br>Excellent. What should we play off of that album for Seattle so that everyone can hear how<br>awesome you are after so many years of toiling alone and together?<\/p>\n\n\n\n<p><br>Emileigh:<br>I would go with either \u201cUrban Jungle\u201d or \u201cChaos.\u201d It&#8217;s like the beginning or the end.<\/p>\n\n\n\n<p><br>OTE:<br>Jean-Marc has to choose. Which one, Jean -Marc? Which of those two?<\/p>\n\n\n\n<p><br>JM:<br>\u201cTake Me Out\u201d or \u201cWe Crawl Back.\u201d<\/p>\n\n\n\n<p><br>OTE:<br>(Laughs) Okay, you&#8217;re fired. Which one, Emily?<\/p>\n\n\n\n<p><br>Emileigh:<br>\u201cThey Crawl Back.\u201d<\/p>\n\n\n\n<p>OTE:<br>\u201cThey Crawl Back,\u201d Rohn Lederman, On The Edge.<\/p>\n\n\n\n<p>OTE:<br>We are sitting down with Emily and Jean from Rohn-Lederman. As we discussed, both of<br>you&#8217;ve been at this for a really long time &#8211; this is your second, your third album together.<\/p>\n\n\n\n<p><br>Emileigh:<br>(laughs) We\u2019re so old!<\/p>\n\n\n\n<p><br>OTE:<br>Dude, we&#8217;re all old though. I mean, it&#8217;s disturbing how old everyone is. But as another band<br>pointed out to me, this is about the only genre where being old actually counts for something.<\/p>\n\n\n\n<p><br>Emileigh:<br>Yes! I think it does, you know, just having that experience!<\/p>\n\n\n\n<p><br>OTE:<br>Yeah, no one else worships Elder Goths, you know, it&#8217;s kind of like, it&#8217;s a thing!<\/p>\n\n\n\n<p><br>Emileigh:<br>Right?<\/p>\n\n\n\n<p><br>OTE:<br>So, you guys have been at this individually and apart. I want to know, Emily, how, how did you<br>and Jean-Marc first start collaborating?<\/p>\n\n\n\n<p><br>Emileigh:<br>Okay, yeah, I got this weird message on Facebook once? and he was\u2026 I was like, who is this<br>guy? He&#8217;s like, hey, I&#8217;m putting together this sort of, like, compilation-vocalist-thing. And I was<br>like, well\u2026 Like, I had to look up who he was and he was actually, like, super famous.<\/p>\n\n\n\n<p><br>OTE: And then your jaw dropped, yeah.<\/p>\n\n\n\n<p><br>Emileigh:<br>And then, and then I was like, oh my God, how do I not know who this is?<\/p>\n\n\n\n<p><br>OTE:<br>\u201cI better be polite!\u201d<\/p>\n\n\n\n<p><br>Emileigh:<br>So I went with that and he was happy with what we made together, so we just kept going.<\/p>\n\n\n\n<p><br>OTE:<br>So Jean-Marc, if you could give me one song from Emily that made you reach out, what would it<br>be?<\/p>\n\n\n\n<p><br>JM:<br>Actually, I hadn\u2019t heard any.<\/p>\n\n\n\n<p><br>OTE:<br>Really!<\/p>\n\n\n\n<p><br>JM:<br>Yeah, it was a friend, a common friend, told me, \u201cWell, you should check that person,\u201d and I<br>listened to \u201cDisorder?\u201d Possibly?<\/p>\n\n\n\n<p><br>Emily:<br>Yeah probably.<\/p>\n\n\n\n<p><br>JM:<br>From \u201cA Distance,\u201d and within 30 seconds I said, \u201cOkay, fine. It\u2019s good.\u201d<\/p>\n\n\n\n<p><br>OTE:<br>So she was suggested and then she passed muster and then you reached out.<\/p>\n\n\n\n<p><br>Emileigh: Yeah that\u2019s what it sounds like!<\/p>\n\n\n\n<p><br>OTE:<br>Excellent! What song did you listen to again \u2018cuz we\u2019re gonna play that.<\/p>\n\n\n\n<p><br>JM:<br>\u201cDisorder.\u201d<\/p>\n\n\n\n<p><br>OTE:<br>\u201cDisorder!\u201d By Chiasm. On The Edge.<\/p>\n\n\n\n<p><br>OTE:<br>Rohn Lederman is joining us. And you guys are neighbors basically, right? You live right down<br>the street from each other.<\/p>\n\n\n\n<p><br>Emileigh:<br>(Laughs) Yeah, what is it like 7,000 kilometers or something? I think Jean-Marc knows.<\/p>\n\n\n\n<p><br>OTE:<br>Right, because Emily, you&#8217;re joining us from Michigan? You&#8217;re joining, where are you joining us<br>from?<\/p>\n\n\n\n<p><br>Emileigh:<br>Yeah, yeah, I&#8217;m close to Ann Arbor, like Metro Detroit.<\/p>\n\n\n\n<p><br>OTE:<br>A lovely spot. And Jean -Marc, you&#8217;re in Belgium.<\/p>\n\n\n\n<p><br>JM:<br>Yeah, Brussels, yeah.<\/p>\n\n\n\n<p><br>OTE: So what does the collaboration look like? How does this start? Because you&#8217;ve done this for a little while now. So what does the process look like?<\/p>\n\n\n\n<p><br>JM:<br>I usually write a skeleton, a short ID of a song which is very, very bare. And I send it, and every<br>time, Emily says, \u201cYeah, that sounds great. Let&#8217;s do something.\u201d And she takes a few days,<br>writes the lyrics and the vocals. And I say, \u201cYeah, that&#8217;s great, but now the music doesn&#8217;t fit<br>anymore.\u201d So I change the music and after that we have a song.<\/p>\n\n\n\n<p><br>OTE:<br>That&#8217;s marvelous! What&#8217;s a track that really surprised you? That you thought it was gonna go<br>one way and then Emily took it a different way?<\/p>\n\n\n\n<p><br>JM:<br>Well, I should take them one by one, but I think most of them had that result because that&#8217;s the<br>great thing with Emily, is that it&#8217;s always a surprise lyrically and vocally and that gives me new<br>ideas. So the song that was the base of it disappears, and there&#8217;s a new song there.<\/p>\n\n\n\n<p><br>OTE:<br>Emily, if you could pick one track where it really changed a lot after you touched it, what would it<br>be?<\/p>\n\n\n\n<p><br>Emileigh:<br>I was shocked by what he did with \u201cOpen Up the Floodgates.\u201d<\/p>\n\n\n\n<p><br>OTE:<br>What were you expecting and what did you get?<\/p>\n\n\n\n<p><br>Emileigh:<br>It was more, like, almost dark to start, and then when it changed, it became like super beautiful.<br>It&#8217;s just a great track. It&#8217;s one of my favorites.<\/p>\n\n\n\n<p><br>OTE:<br>\u201cOpen Up The Floodgates\u201d by Rohn Lederman, On The Edge.<br><\/p>\n\n\n\n<p>OTE:<br>One of my favorite things when I get to talk to bands is find out what they&#8217;re listening to when<br>they think no one is watching. So Emily, I would like you to give me a track that would surprise<br>your fans that you&#8217;ve been into lately.<\/p>\n\n\n\n<p><br>Emileigh:<br>Well, I would say as an entire album something that totally\u2026We actually wound up doing a<br>cover of but I started to get obsessed with the \u201cInto The Spiderverse\u201d soundtrack and there&#8217;s all<br>kinds of fun like hip -hop stuff on it. We wound up doing a cover of \u201cSunflower.\u201d Because I really<br>liked it.<\/p>\n\n\n\n<p><br>OTE:<br>Well, let&#8217;s play that then! \u201cSunflower,\u201d Rohn Lederman, On The Edge.<\/p>\n\n\n\n<p><br>OTE:<br>Jean -Marc, because Emily cheated me into playing another Rohn Lederman song, I&#8217;m going to<br>ask you, as a producer who&#8217;s worked with all sorts of incredible acts on incredible albums, what<br>inspires you to do what you&#8217;re doing that is outside of what everyone might expect?<\/p>\n\n\n\n<p><br>JM:<br>Just surprising me.<\/p>\n\n\n\n<p><br>OTE:<br>Okay\u2026<\/p>\n\n\n\n<p><br>JM:<br>I have no absolutely no interest in pleasing anybody else but my partners, whether it&#8217;s a friend<br>called Jacques Duval or Emily or the people, I&#8217;m doing music for them and for me. And the first<br>thing is I must be surprised by what I&#8217;m doing. If I&#8217;m not surprised, if I&#8217;m bored, I just switch off<br>the modular and just do something else, watch a TV series. And just say, \u201cwell, that was a<br>fucked up day, wasn&#8217;t it? But it&#8217;ll be okay tomorrow.\u201d<\/p>\n\n\n\n<p><br>OTE:<br>And if you&#8217;ve had a fucked up day, what do you listen to?<\/p>\n\n\n\n<p><br>JM: I don&#8217;t listen to music if I have a fucked up day. I mean music is the last thing I want to listen to because I cannot not analyze what I hear.<\/p>\n\n\n\n<p><br>OTE:<br>I see. All right! So if I were to ask for your desert island tapes, you wouldn&#8217;t have any. You&#8217;d sit<br>there in silence.<\/p>\n\n\n\n<p><br>JM:<br>No, in silence? No, because I could fan, I have tight hands, so silence is impossible for me! But<br>I would say \u201clet&#8217;s listen to the sound of the sea and maybe we can hear a trawler coming<br>around, you know, a big boat that&#8217;s going to save us from the boredom that is in this island!<br>(laughs)<\/p>\n\n\n\n<p><br>OTE:<br>(Laughs) Well, this is not working out for my purposes at all because Jean -Marc does not know<br>how to play the game\u2026 so I am going to simply ask what is another track from Rohn Lederman<br>that you would like Seattle to hear?<\/p>\n\n\n\n<p><br>JM:<br>\u201cSpinning.\u201d<\/p>\n\n\n\n<p><br>OTE:<br>\u201cSpinning!\u201d Is that on the new one? Where <\/p>\n\n\n\n<p><br>Emileigh:<br>\u201cSpinning Down,\u201d yeah.<\/p>\n\n\n\n<p><br>JM:<br>\u201cSpinning Down,\u201d \u201cSpinning,\u201d that\u2019s a very weird track because it is, first, a very weird track but it<br>took the attention of Chanel, you know the French brand?<\/p>\n\n\n\n<p><br>OTE:<br>Oh, Really?<\/p>\n\n\n\n<p><br>JM: And we were in the last bands in competition for one clip, one advert that they were doing and it surprised me that they took you know the most weirdest songs that we have.<\/p>\n\n\n\n<p><br>OTE:<br>The weirdest song Rohn Lederman has, \u201cSpinning,\u201d On the Edge!\u201d<\/p>\n\n\n\n<p><br>Emileigh:<br>(laughs)<\/p>\n\n\n\n<p><br>JM:<br>Well, I mean, listen to it. It&#8217;s very out there. It is a lesson, you know. Everybody&#8217;s trying to make<br>the, you know, the \u201cdance song\u201d or everybody&#8217;s trying to make \u201cthe single\u201d and there\u2019s so many<br>of us now it doesn&#8217;t matter anymore. What you have to do is really go to this wild place and do<br>the weird stuff because that is the fun stuff to do that&#8217;s the most funny thing.<\/p>\n\n\n\n<p><br>OTE:<br>I&#8217;m gonna play it. \u201cSpinning\u201d (Down), On The Edge.<\/p>\n\n\n\n<p><br>JM:<br>There&#8217;s a funny thing because a friend of mine, who&#8217;s also a journalist, and who makes reviews<br>and who&#8217;s going to review the latest album, \u201cForbidden Planet,\u201d told me \u201cyou&#8217;ve done industrial<br>jazz.\u201d And I told him \u201cif you use the term jazz you are killing us, you know that.\u201d (laughs)<\/p>\n\n\n\n<p><br>OTE:<br>People are so about the labels, man. It is all about the labels.<\/p>\n\n\n\n<p><br>JM:<br>It is! It is!<\/p>\n\n\n\n<p><br>OTE: and\u2026 I had, I had Raymond Watts on here. and when I asked him what inspired him, he said<br>he goes to the opera twice a week. So we played Tosca and I&#8217;m all about that because frankly<br>nothing exists in a bubble. Everything is influenced by everyone else and it&#8217;s all about finding<br>out how to make what you&#8217;re doing better based on what everyone else is doing, right?<\/p>\n\n\n\n<p>Emileigh:<br>It is. I think Jean-Marc should talk about the Modulatron because he rebuilt his entire setup for<br>this album which makes it different from the previous ones.<\/p>\n\n\n\n<p>OTE:<br>Oh, we definitely need to hear about the Modulatron, then!<\/p>\n\n\n\n<p><br>Emileigh:<br>Yes. Yes.<\/p>\n\n\n\n<p><br>JM: Well, the Modulatron is quite a big modular system I built last year because I wanted to kill the way that we were making music\u2026 or the way I was making music, because I was too aware of \u201cwhere is the right plugin, what is the right sound,\u201d and I wanted to have something totally<br>random. So I built this modular which is based on analog modules, not digital modules. It was<br>impossible to beat and to tame. It was so complicated because nowadays you just press a button and Logic does it all or you know, Cubase does it all. And we wanted to kill that, but we<br>killed it for good. So it was really complicated to be able to do just one track because that&#8217;s not<br>the way that all synthesizers function, it\u2019s not the way that modern programs, software, music<br>software works where everything now is quantized. In the Modulatron, nothing is quantized. The<br>sounds are just so wild! But it really grabs your attention because they&#8217;re so raw. And so that<br>was the good point. And on this album, Forbidden Planet, this is what we tried to do, to put<br>together one crazy modular system with Emily&#8217;s way of putting things in perspective. And so this<br>is what we do with it and it was complicated but really very fun. And the end result is industrial<br>jazz.<\/p>\n\n\n\n<p><br>OTE:<br>So I have three things to say. The first thing is thank you, Emily, for bringing that up because<br>that was priceless.<\/p>\n\n\n\n<p><br>Emileigh:<br>You\u2019re welcome.<\/p>\n\n\n\n<p><br>OTE:<br>The second thing is Jean -Marc, can you send me a picture of the Modulatron to include with<br>the interview?<\/p>\n\n\n\n<p><br>JM:<br>Oh god, I&#8217;ve got thousands of them!<\/p>\n\n\n\n<p><br>OTE:<br>Excellent. Just send me three, you know, and I&#8217;ll use a good one. The third thing, is what song<br>on the new album features the Modulatron the most prominently, because we should play that.<\/p>\n\n\n\n<p><br>JM:<br>Okay, okay. I should take the album. (scrutinizes vinyl)<\/p>\n\n\n\n<p><br>OTE:<br>Yeah, take a look at it.<\/p>\n\n\n\n<p><br>JM:<br>I don\u2019t know, Emileigh, what do you think?<\/p>\n\n\n\n<p>Emileigh:<br>I think \u201cChaos\u201d does an amazing job. They all do.<\/p>\n\n\n\n<p><br>JM:<br>Which one?<\/p>\n\n\n\n<p><br>Emileigh:<br>\u201cChaos.\u201d Like I said in the beginning, either \u201cChaos\u201d or \u201cUrban Jungle,\u201d I think probably did that<br>really well.<\/p>\n\n\n\n<p><br>OTE:<br>Let\u2019s go \u201cChaos.\u201d<\/p>\n\n\n\n<p><br>JM:<br>Yeah, I mean, the thing is, for instance, Urban Jungle, the first song on the album, it is a five<br>minute, or I don&#8217;t know, yeah, about three minutes long, improvisation I was doing with the<br>Modulatron, and there&#8217;s the voice of Emileigh on it, but there&#8217;s no correction. There&#8217;s no \u201coh,<br>let\u2019s tune this\u201d or whatever.<\/p>\n\n\n\n<p><br>OTE:<br>You just did it live.<\/p>\n\n\n\n<p><br>JM:<br>Just Yeah, just go, yeah, just go for the flow <\/p>\n\n\n\n<p><br>OTE:<br>We&#8217;re totally doing \u201cUrban Jungle\u201d On The Edge.<\/p>\n\n\n\n<p><br>JM: and just do it.<\/p>\n\n\n\n<p><br>OTE:<br>And just do it!<\/p>\n\n\n\n<p><br>JM: Yes! <\/p>\n\n\n\n<p><strong><em>For 36 years and counting, On The Edge has aired on Seattle\u2019s KNHC 89.5 FM, one of only six contributors to Billboard\u2019s weekly Dance\/Mix Show Airplay chart. Streaming, socials and contact info is at OnTheEdge.Radio.<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Marc Lederman and Emileigh Rohn joined DJ Zuul on March 2nd to discuss collaboration, modular synths, experimentation and making music only to please yourself in the context of Forbidden Planet, Rohn Lederman\u2019s new album out on March 4th 2025. DJ Zuul, On The Edge: That was \u201cPolicy of Truth\u201d from Rohn Lederman. Sitting down with&hellip;&nbsp;<a href=\"https:\/\/mkultramagazine.com\/?p=11277\" rel=\"bookmark\">Read More &raquo;<span class=\"screen-reader-text\">Interview: &#8216;Rohn Lederman&#8217; On The Edge<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":11278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","neve_meta_sidebar":"","neve_meta_container":"","neve_meta_enable_content_width":"","neve_meta_content_width":0,"neve_meta_title_alignment":"","neve_meta_author_avatar":"","neve_post_elements_order":"","neve_meta_disable_header":"","neve_meta_disable_footer":"","neve_meta_disable_title":"","ngg_post_thumbnail":0,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[11],"tags":[],"class_list":["post-11277","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-innerviewz"],"_links":{"self":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/11277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=11277"}],"version-history":[{"count":5,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/11277\/revisions"}],"predecessor-version":[{"id":11329,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/posts\/11277\/revisions\/11329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=\/wp\/v2\/media\/11278"}],"wp:attachment":[{"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=11277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=11277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mkultramagazine.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=11277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}